We are delighted by your reactions to our new crocheted critters patterns! I thought it would be great to hear more about designer Brenda K. B. Anderson's process, as it is clear how creative she is. Keep reading for our conversation below! Kate Gagnon Osborn: Firstly, I want to thank you for your patience in the process of creating these critters. Things don't usually take such a meandering path, but I am SO excited to finally share the designs with the world! As part of the testing/editing process (and also because they are heckin' cute), I made each critter. Multiple times throughout the making, I mumbled to myself "how did she figure this out?!?" So....now I can ask you directly: how the heck do you do this? Do you make prototypes? Are the critters planned out or do you shape as you go? Does your brain think in multiple dimensions? Brenda K. B. Anderson: I almost never intentionally make prototypes- really the only time I make them is when it’s a really weird shape like the narwhal’s horn or the hermit crab shell. And I know from the get-go that I will have numerous failures before I figure out the perfect formula of stitches. Usually I can just look at my sketch and know where to put the increases/decreases in order to get the shape I want. But this is because when I am sketching something up, I already have the intended shaping in my mind. What I mean is - I only submit sketches (in my proposals) that include shapes that I know how to make.
KGO: In your "real" life, you design and construct costumes, mascots, and puppets for a touring company. It seems obvious to me that your work in this realm would influence your designs. Is this true? How much overlap is there between your approach to the amigurumi and how you make the puppets? BKBA: Because of Covid I lost my costume/puppet shop job that I had for many years. Our company made its money from touring shows that played in arenas and large theaters so it was impossible to operate in the midst of Covid. Now they are back up and running but have re-located the costume shop to Las Vegas and I didn’t want to move, so I’ve transitioned to yarn-work full time now. I’m now the managing editor of the Creative Crochet Corner and I do lots of live tutorials like the Oak Grove Earflap Hat where I used my lovely Germantown leftovers from the Critters projects. However, what I did at my former job absolutely affected my crochet process and aesthetic for cuteness! And it has forever changed the way I think about sewing/crocheting/knitting - anything is possible! I learned lots of tricks for getting the facial expressions to look the way I want them to, and I also developed a sense of the kinds of shape-combinations that are just inherently adorable. And making patterns for those kinds of 3-D shapes for so many years, trained my brain to be able to look at a sculptural piece as a series of pattern pieces that form the surface of that shape.